LIAM GILLICK
«THREE PERSPECTIVES AND A SHORT SCENARIO»
26. JANUAR – 30. MÄRZ 2008
1964 geboren in Aylesbury, U.K., lebt und arbeitet in in London und New York
/
1964 born in Aylesbury, U.K., lives and works in London and New York
Einzelausstellungen / Solo exhibitions (*indicates
publication)
2007
MCA, Chicago
Kunsthalle Zürich, Zürich
Witte de With, Rotterdam
2006
Briannnnn & Ferryyyyy, Kunsthalle Zürich, Zürich
Edgar Schmitz, ICA London, London
2005
Un texto corto sobre la posibilidad de crear una economia de la equivalencia,
La Casa Encendida, Madrid*
As you approach the edge of town the lights are no softer than they were in
the centre, Casey Kaplan, New York
Mc Namara Motel: Selected Texts Works 1990-2005, Contemporary Art Center, Malaga*
Fabriken im Schnee…, Galerie Meyer Kainer, Wien
Presentism, Corvi-Mora, London
Another 2004 Again, Baltimore Museum of Art
222nd Floor, Eva Presenhuber, Zürich
Texte court sur la possibilité de créer une économie de
l’équivalence, Palais de Tokyo, Paris
2004
Underground (Fragments of Future Histories), Galerie Micheline Szwajcer, Anvers*
Ö vningskörning (Driving Practice), Milwaukee Art Museum
nineteenfortysixxisytrofneetenin, Aspen Art Museum
A group of people, Air de Paris, Paris
Construccion de Uno, Galeria Javier Lopez, Madrid
2003
A Film, A Clip and a Documentary (with Sean Dack), Corvi-Mora, London
Projects 79: Literally, Museum of Modern Art, New York
Communes, Bars and Greenrooms, The Powerplant, Toronto
Exterior Days, Casey Kaplan, New York
Por Favor Gracias de Nada (with Gabriel Kuri), Kurimanzutto, México
City
… Punctuated Everydays, Max Hetzler, Berlin
Hills and Trays and…, Schipper & Krome, Berlin
2002
Liam Gillick, Rüdiger Schöttle, München
Light Technique, Galerie Meyer Kainer, Wien
The Wood Way, The Whitechapel Gallery, London*
2001
Dedalic Convention, Salzburg Kunstverein
Annlee You Proposes, Tate Britain, London
Liam Gillick, Corvi-Mora, London
Liam Gillick, Javier Lopez, Madrid
Firststepcousinbarprize, Hauser & Wirth & Presenhuber, Zürichurich.
2000
Liam Gillick, Casey Kaplan, New York
Renovation Filter, Recent Past and Near Future, Arnolfini, Bristol
Literally No Place, Air de Paris, Paris
Woody, CCA Kitakyshu
Schmerz in Einem Gebäude, Fig 1, London
Consultation Filter, Westfälischer Kunstverein, Münster
Liam Gilllick, Schipper und Krome, Berlin
Liam Gillick, Galleri Charlotte Lund, Stockholm
1999
“ David”, Frankfurter Kunstverein, Frankfurt•
Liam Gillick, Rudiger Schottle, München
Liam Gillick, Kunsthaus Glarus, Glarus•
1998
Liam Gillick, c/o Atle Gerhardsen Oslo
The Trial of Pol Pot (with Philippe Parreno), Le Magasin, Grenoble
When do we need more tractors?, Schipper & Krome, Berlin
Révision: Liam Gillick, Villa Arson, Nice*
Liam Gillick, Robert Prime, London
Big Conference Center, Orchard Gallery, Derry*
When Purity Was Paramount, British Council, Prag
Up on the twenty-second floor, Air de Paris, Paris
Liam Gillick, Kunstverein in Hamburg*
1997
Reclutamento!, Emi Fontana, Milano
McNamara Papers, Erasmus and Ibuka Realisations, The What If? Scenarios, Le
Consortium, Dijon
Another Shop in Tottenham Court Road, Transmission Gallery, Glasgow*
A House in Long Island, Forde Espace d’art contemporain, L’Usine,
Genève*
Discussion Island - A What if? Scenario Report, Kunstverein, Ludwigsburg*
Discussion Island, Basilico Fine Arts, New York
1996
Documents (with Henry Bond), Schipper & Krome, Köln
The What If? Scenario, Robert Prime, London
Liam Gillick, Raum Aktuelle Kunst, Wien
Erasmus is Late ‘versus’ The What If? Scenario, Schipper & Krome,
Berlin
1995
Documents (with Henry Bond), Kunstverein ElsterPark, Leipzig*
Part Three, Basilico Fine Arts, New York
Ibuka!, Galerie Emi Fontana, Milano
Ibuka! (Part 2), Künstlerhaus, Stuttgart*
Ibuka! (Part 1), Air de Paris, Paris
1994
Liam Gillick, Interim Art, London
Documents (with Henry Bond), Ars Futura, Zürich
McNamara, Schipper & Krome, Köln
1993
An Old Song and a New Drink (with Angela Bulloch), Air de Paris, Paris
Documents (with Henry Bond), CCA, Glasgow
1992
McNamara, Hog Bikes and GRSSPR, Air de Paris, Nice
1991
Documents (with Henry Bond), Gio’ Marconi, Milano
Documents (with Henry Bond), A.P.A.C., Nevers*
Documents (with Henry Bond), Karsten Schubert Ltd, London*
1989
84 Diagrams, Karsten Schubert Ltd, London*
Gemeinschaftsarbeiten / Collaborative projects
2004
Briannnnnn & Ferryyyyyy (with Philippe Parreno), Kunsthalle Zürich,
Zürich
Briannnnnn & Ferryyyyyy (with Philippe Parreno), Vamiali’s, Athens
Rider: Law and Creativity Briannnnnn & Ferryyyyyy (with Philippe Parreno),
Konsthall, Lund
2003
Telling Histories, Kunstverein München
2002
Dark Spring (with Nicolaus Schafhausen and Markus Weisbeck), Stiftung Ursula
Blickle,
Kraichtal
2001
Dedalic Convention/Du und Ich (with Annette Kosak and Gary Webb), Salzburger
Kunstverein,
Salzburg
Dedalic Convention (with Annette Kosak), MAK, Wien
2000
itsapoorsortofmemorythatonlynunsbackwards, Goldsmiths College, Creative Curating,
London
1999
Oldnewtown, Casey Kaplan, New York
1995
Stoppage, Villa Arson, Nice
Stoppage, CCC, Tours
Faction, Royal Danish Academy of Arts, Copenhagen
1992
Instructions, Gio’ Marconi, Milano
The Speaker Project, ICA, London
Auswahl Gruppenausstellungen / Selected group exhibitions
2006
Projektion, Kunstmuseum Luzern, Luzern
Manifesta 6, Cyprus
Group Exhibition, The Sculpture Center, New York
Bühne des Lebens, Lenbachhaus, München
Tate Triennale, Tate Britain, London
L'exposition qui n'existe pas, MAMCO, Genève
100 Artists See God (curated by John Baldessari & Meg Cranston), Cheekwood
Museum of Art, Nashville
The politics of ich in meinem Zimmer, Grazer Kunstverein
2005
The Party, Gallery Casey Kaplan, New York
Thank you for the music, Sprüth Magers Projekte, München
Strictement confidentiel, Centre d’art et du paysage, Vassivière
Ambiance, K21 Kunstsammlung NRW, Düsseldorf
Etc., Le Consortium, Dijon
Participe Présent, FRAC Poitou-Charentes, Angoulême
En Route: Via Another Route, on board Trans-Siberian train, Moscow to Beijing,
curated by Adam Carr
100 Artists See God (curated by John Baldessari & Meg Cranston), Albright
College Freedman Art Gallery, Reading, PA
100 Artists See God (curated by John Baldessari & Meg Cranston), Contemporary
Art Center of Virginia, Virginia Beach
Bidibidobidiboo (curated by Francesco Bonami), Fondazione Re Rebaudengo, Torino
Icestorm, Kunstverein München
La La Land, the project, Dublin
No Ghost Just a Shell, Van Abbemuseum, Eindhoven
Post Notes, Midway Contemporary Art, Minneapolis
The Strange, Familiar and Unforgotten, Galerie Erna Hécey, Bruxelles
Good Titles for Bad Books, Kevin Bruk, Miami
Goodbye 14th street, Gallery Casey Kaplan, New York
The Furniture of Poul Kjaerholm and selected artwork, Sean Kelly and R 20th
Century, New York
Cohabitats, Galerie Gislaine Hussenot, Paris
Exit – Ausstieg aus dem bild, ZKM, Karlsruhe
2004
Poul Kjaerholm, Sean Kelly, New York
Dicen que finko o miento. La ficción revisada, Central de arte, Guadalajara
100 Artists See God (curated by John Baldessari & Meg Cranston), ICA, London
OEM, Ecole de Beaux-Arts, Valence
Afterall Auction, ICA, London
Utopia Station, Haus der Kunst, München
De leur temps, Musée des Beaux-Arts, Tourcoing*
Nothing Compared to This: Ambient, Incidental and New Minimal Tendencies in
Current Art, CAC, Cincinatti
Trailer, Man in the Holocene, London
100 Artists See God (curated by John Baldessari & Meg Cranston), Laguna
Beach Art Museum, Laguna Beach
The Trailer Special Project, Curzon Cinemas, London
Art needs an operation, Gallery Casey Kaplan, New York
Bandes originales, ARC Musée d’art moderne de la ville de Paris,
Paris
Strike, Basekamp, Philadelphia
Black Friday: Exercises in Hermetics, Galerie Kamm, Berlin
Marks in Space, Usher Gallery, Lincoln
Artists’Favourites, ICA Galleries, The Mall, London
Open, Arcadia University Art Gallery, Glenside, PA
Emotion Eins (Emotion One), Frankfurter Kunstverein
Czech Made, Display, Prag
Em Jogo, CAV, Coimbra
Sadie Hawkins dance, Southfirst gallery, New York
Across the border, Museum Dhondt-Dhaenens, Deurle
The Drawing Project, Vamiali’s, Athens
Drunken Masters, Fortes Vilaca, Sao Paulo
How to learn to love the bomb and stop worrying about it, Central de Arte en
WTC, Guadalajara
9Mütter XX04, Mütter Museum, Philadelphia
Russian Doll, MOT, London
Establishing Shot, Artist’s Space, New York
Black-out (lame de fond), Ancien Marché de l’Arsenal, La Rochelle
Tonight (curated by Paul O’Neil), Studio Voltaire, London
Before the End (curated by Stéphanie Moisdon et Olivier Mosset), Le
Consortium, Dijon
Broken Surface, Sabine Knust editions, München
Singular Forms (Sometimes Repeated), Art 1951 to the present, Guggenheim Museum,
New York
100 Artists See God (curated by John Baldessari &Meg Cranston), The Contemporary
Jewish Museum, San Francisco
2003
Bad Behaviour: Works from the Arts Council Collection, Yorkshire Sculpture
Park
Everything Can Be Different, Maryland Institute College of Art, Baltimore
A Nova Geometria, Galeria Fortes Vilaça, Sao Paulo
Adorno 100, Frankfurter Kunstverein
Wittgenstein: Family Likenesses, Institute of Visual Culture, Cambridge
How to learn to love the bomb and stop worrying about it, National Chamber
of Art Industries, Mexico City
Abstraction Now, Künstlerhaus Wien, Wien
Honey I rearranged the collection, Greengrassi/Corvi-Mora, London
Utopia Station, Venice Biennale, Venice
25th International Biennial of Graphic Arts, Ljubljana
Social Facades and Others, Lenbachhaus, München
3D, Friedrich Petzel, New York
Form Specific, Moderna Galerija, Ljubljana
Cool Luster, Collection Lambert, Avignon
Typofgravy, Cell, London
20 th Anniversary Show, Galerie Monika Spruth, Köln
Imperfect Marriages, Galerie Emi Fontana, Milano
Glamour, British Council, Prag
The Moderns/I moderni, Castello di Rivoli, Torino
JRP Editions, Galería Javier López, Madrid
The Air is Blue, Barragan House, Mexico City
This Was Tomorrow, New Art Centre Sculpture Park, Salisbury
Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zürich
Animations, Kunstwerk, Berlin*
JRP Editions, Galerie Edward Mitterand, Genève
Re-Produktion 2, Georg Kargl, Wien
Ill Communication, DCA, Dundee
No Ghost Just a Shell, Van Abbemuseum, Eindhoven*
Perfect Timeless Repetition, C/O Atle Gerhardsen, Berlin
2001
No Ghost Just a Shell, San Francisco Museum of Modern Art
No Ghost Just A Shell, Institute of Visual Culture, Cambridge
Gleitsicht, Krypta 182, Berg. Gladbach
It’s Unfair, Museum de Paviljoens, Almere
Lap Dissolve, Gallery Casey Kaplan, New York
L’image habitable - versions B,C,D,E, Mamco, Geneva
This Play 31, La Coleccion Jumex, Mexico
Relational Aesthetics from the 1990s, San Francisco Art Institute, San Francisco
Turner Prize, Tate, London
The Galleries Show: Contemporary Art in London, Royal Academy of Arts, London
The Unique Phenomena of a Distance, Magnani, London
Strike, Wolverhampton Art Gallery
Collections, ZKM, Karlsruhe
Société Perpendiculaire: La Tapisserie, FRAC Provence-Alpes-Côte
d’Azur*
No Ghost Just a Shell, Kunsthalle Zürich Zürich
Multiples X, London Print Studio
Summer Cinema, Casey Kaplan, New York
Collected Contemporaries, Moderna Museet, Stockholm
JRP Editions, RAK, Wien
The Movement Began with a Scandal, Lenbachhaus, Munich
Without Consent, CAN, Neuchatel
The Object Sculpture, The Henry Moore Institute, Leeds
Happy Outsiders from Scotland and London, Zachetal, Warsaw; Katowice City Gallery
Inframince, Cabinet Gallery, London
The Ink Jetty, Neon Gallery, London
Private Views, Printed Space, London
Parallel Structures, Gertrude Contemporary Art Spaces, Fitzroy, Victoria
Startkapital, K21, Düsseldorf
Annlee You Proposes, Mamco, Genève
Void, Rice Gallery, Tokyo/CCA Kitakyushu
Everything Can Be Different, University of Memphis, Tennessee
Art & Economy, Deichtorhallen, Hamburg
J’en ai pris des coups mais j’en ai donnés aussi, Galerie
chez Valentin, Paris
Do It, Museo de Arte Carrillo Gil, San Angel
Minimal Maximal, National Museum of Contemporary Art, Seoul
Nothing, Mead Gallery, Warwick
Passenger: The Viewer as Participant, Astrup Fearnley Museum, Oslo
Reflexions, Spruth Magers, München
Urgent Painting, ARC, Musée d’art moderne de la ville de Paris,
Paris*
...if a double-decker bus crashes into us to die by your side such a heavenly
way to die and if a ten ton truck kills the both of us to die by your side
the pleasure and the privilege is mine... , Air de Paris, Paris
I love Dijon, Le Consortium, Dijon
Ingenting, Rooseum, Malmö
En/Of, Schneiderei, Köln
Rumour City, TN Probe, Japan
9e Biennale de l’image en Mouvement, Centre pour l’image contemporaine,
Saint-Gervais, Genève
Parallel Structures, South Bank Corporation, Brisbane
Animations, PS1, Long Island City
Rumor City, Raffinerie, Bruxelles
Everything Can Be Different, Jean Paul Slusser Gallery, University of Michigan
School of Art, Ann Arbor
Yokohama 2001, Yokohama Triennale, Yokohama
Demonstration Room: Ideal House, NICC, Antwerp
Beautiful Productions: Parkett, Whitechapel Gallery, London
Ambiance Magasin, Meymac Centre d’art Contemporain
The Communications Department, Anthony Wilkinson Gallery
Stéphane Dafflon/Liam Gillick/Xavier Veilhan, Le Spot, Le Havre
Strategies against Architecture, Fondazione Teseco, Pisa
A Timely Place, Or, Getting Back to Somewhere, London Print Studio
Biennale de Lyon, Musée d’art contemporain, Lyon
Geometry and Gesture, Thaddeaus Ropac, Salzburg
The Wedding Show, Casey Kaplan, New York
A New Domestic Landscape, Javier Lopez, Madrid
International Language, Grassy Knoll Productions, various sites, Belfast
Collaborations with Parkett: 1984 to now, Museum of Modern Art, New York
Berlin Biennale, Kunst Werk, Berlin
Contemporary Utopia, Museum of Modern Art, Riga
Nothing, Northern Gallery for Contemporary Art, Sunderland; Contemporary Art
Centre, Vilnius; Rooseum, Malmo
Minimal-Maximal, City Museum of Art, Chiba; National Museum of Art, Kyoto;
City Museum of Art, Fukuoka*
Future Perfect, Orchard Gallery, Derry
Stop and Go, FRAC, Nord-Pas de Calais, Dunkerque
There’s gonna be some trouble, a whole house will need rebuilding, Rooseum,
Malmö
Histoire de coeur, collection Michel Poitevin, Fondation Guerlain, Les Mesnuls
Demonstration Room: Ideal House, Apex Art, New York
Century City, Tate Modern, London
2000
Future Perfect, Cornerhouse, Manchester
Group Show, Corvi-Mora, London
Ausstellung der Jahresgaben, Westfälischer Kunstverein, Münster
How do you change an apartment that has been painted brown? Certainly not by
painting it
white, Institute of Visual Culture, Cambridge
Perfidy, Kettles Yard, Cambridge
More Shows About Buildings and Food, Lisbon
Casa Ideal, Museo Alejandro Otero, Caracas
Que saurions-nous construire d’autre? (What else could we build?), La
Villa Noailles
Indiscipline, Roomade, Bruxelles
Aussendienst, Kunstverein in Hamburg
e-mona, The Museum of New Art, Detroit
Protest and Survive, Whitechapel Gallery, London
Perfidy, La Tourette, Eveaux
Wilder Bild Gegenwart, Positions to a Political Discourse, Nieuw Internationaal
Kultureel Centrum, Antwerp
Werkleitz, Tornitz
Vicinato 2, Neuggerreimschneider, Berlin
Vicinato 2, Fig. 1, London
Haut de Forme et Bas Fonds, FRAC Poitou-Charentes, Angoulême
Future Perfect, Centre for Visual Arts, Cardiff
Intelligence, Tate Britain, London
Group Show, Paula Cooper Gallery, New York
Interplay, selected works from the Museum and private collections, The National
Museum of Contemporary Art, Oslo
What If/Tänk Om, Moderna Museet, Stockholm
Prefiguration of the Museum of Contemporary Art, Tucson (AZ). Collection JRP,
Kunsthalle Fribourg
Working Title, Stanley PIcker Gallery, Kingston University
Dire Aids, Art in the Age of Aids, Promotrice delle Belle Arti, Torino
British Art Show 5, Touring Exhibition, Edinburgh, Southampton, Cardiff, Birmingham
Viva Maria III, Galerie Admiralitätstraße, Hamburg
Decompressing History (curated by Lars Bang Larson), Galeri Enkehuset, Stockholm
14 + 1, Feitchtner & Mizrahi, Wien
Wilder Bild Gegen Wart. Positions to a political discourse, RAK Wien
Group Show, Casey Kaplan, New York
Media City 2000, Seoul
Stortorget I Kalmar, Statens Konstrads Galleri, Kalmar
Continuum 001 (curated by Rebecca Gordon Nesbitt), CCA, Glasgow
29th International Film Festival, Rotterdam
1999
Space, Schipper und Krome, Berlin
Une histoire parmi d’autres, collection Michel Poltevin, FRAC Nord-Pas
de Calais
Officina Europa, Bologna
705 Wings of Freedom (curated by Uwe Wiesner), Berlin
Jonathan Monk, Casey Kaplan, New York
1999 East Wing Collection, Courtald Institute of Art, London
Get Together/Art As Teamwork, Kunsthalle, Wien*
New York/London, Taché-Levy, Bruxelles
Transmute (curated by Joshua Decter), MCA Chicago
Art Lovers (curated by Marcia Fortes), Tracey, Liverpool Biennial
Fantasy Heckler (curated by Padraig Timoney), Tracey, Liverpool Biennial
Shopping, FAT, London
dConstructivism: Life into Art, Brisbane
Tent, Rotterdam
Objecthood OO, Athens
The Space is Everywhere, Villa Merkel, Esslingen*
Le Capitale (curated by Nicolas Bourriaud), Centre régionale d’art
contemporain, Sete*
Laboratorium, Antwerpen Open, Antwerp In The Midst of Things, University of
Central England, Bourneville
Essential Things (curated by Guy Mannes Abbott), Robert Prime, London
Out of Sight - A cross-reference exhibition, Büro Friedrich, Berlin
Etcetera, Spacex Gallery, Exeter
Plug-ins, Salon 3, London
Tang, Turner and Runyon, Dallas
Air de Paris: works by AND/OR informations about, Grazer Kunstverein•
12 Artists, 12 Rooms, Galerie Thaddeaus Ropac, Salzburg
Nur Wasser, Neumühlen, Hamburg
Continued Investigation of the Relevance of Abstraction, Andrea Rosen Gallery,
New York
Xn, Maison de la culture, Chalon
Pl@ytimes, Ecole supérieure d’art de Grenoble, Grenoble
Konstruktionszeichnungen, Kunst-Werke, Berlin
1998
1+3 = 4 x 1, Galerie für Zeitgenössische Kunst, Leipzig•
Projections, de Appel, Amsterdam
The Project of the 2nd December, Salon 3, London
Cluster Bomb, Morrison/Judd, London
Dijon/Le Consortium.coll, Centre Georges Pompidou, Paris*
Ghosts, Le Consortium, Dijon
Minimal-Maximal, Neues Museum Weserburg, Bremen; Kunsthalle, Baden-Baden; CGAC,
Santiago de Compostela*
Mise en Scène, Grazer Kunstverein, Graz*
Odradek (curated by Thomas Mulcaire), Bard College, New York
Weather Everything (curated by Eric Troncy), Galerie für Zietgenössische
Kunst, Leipzig*
Places to Stay 4 P(rinted) M(atter), Büro Friedrich, Berlin
Entropy, (curated by Wilhelm Schurmann), Ludwigforum, Aachen
The Erotic Sublime, Thaddeaus Ropac, Salzburg
UK - Maximum Diversity, Galerie Krinzinger, Bregenz/Wien
Videostore (organised by Nicolas Tremblay and Stephanie Moisdon), Brick and
Kicks, Wien
Fuori Uso ‘98, Mercati Ortofrutticoli, Pescara
London Calling, The British School at Rome & Galleria Nazionale d"Arte
Moderna, Roma
Kamikaze, Galerie im Marstall, Berlin
In-significants, Stockholm, Sweden
Inglenook (curated by Evette Brachman), Feigen Contemporary, New York
Arena - Sport und Kunst Austellung, Galerie im Rathaus, München*
Construction Drawings (curated by Klaus Biesenback), PS1, New York
A to Z (curated by Matthew Higgs), The Approach, London
Interactive, An Exhibition of Contemporary British Sculpture, Amerada Hess,
London*
Weatherspoon Art Gallery, Greensboro; The Emerson Gallery, Clinton; The Museum
of
Contemporary Art, Chicago; Lowe Art Museum, Coral Gables; Western Gallery,
Bellingham; University Art Gallery, Amherst•
Fast Forward, Kunstverein in Hamburg*
Liam Gillick, John Miller, Joe Scanlan, RAK, Wien
1997
Group Show, Schipper & Krome, Berlin
Group Show, Air de Paris, Paris
Work in Progress and or Finished, Ubermain, Los Angeles
Maxwell’s Demon, Margo Leavin, Los Angeles
Other Men’s Flowers, The British School at Rome, Roma
Kunst. . . Arbeit, SudWest LB, Stuttgart*
Hospital, Galerie Max Hetzler, Berlin*
Heaven - a Private VIew, PS1, Long Island
Group Show, Vaknin Schwartz, Atlanta
Ireland and Europe, Sculptors Society of Ireland, Dublin*
Group Show, Robert Prime, London
Enterprise, ICA, Boston*
documenta X, Kassel*
504 (curated by John Armleder), Kunsthalle Braunschweig*
documenta X, Kassel*
I Met A Man Who Wasn’t There, Basilico Fine Arts, New York
Moment Ginza (co-ordinated by Dominique Gonzalez-Foerster), Le Magasin, Grenoble
Space Oddities, Canary Wharf Window Gallery, London
Enter: audience, artist, institution (curated by Barbara Steiner), Kunstmuseum
Luzern, Luzern
Ajar, Galleri F15, Jeløy*
Des Livres d’Artistes, L’ecole d’art de Grenoble, Grenoble*
Temps de Pose, Temps de Parole, Musée de l”Echevinage, Saintes
Life/Live, Centro Cultural de Belém, Lisbon*
1996
Limited Edition Artist’s Books Since 1990, Brooke Alexander, New York
Supastore de Luxe, Up & Co., New York
Glass Shelf Show, ICA, London
Found Footage, Tanja Grunert & Klemens Gasser, Köln
A Scattering Matrix (curated by Jane Hart), Richard Heller Gallery, Los Angeles
All in One, Schipper & Krome, Köln*
Lost For Words, Coins Coffee Store, London
Itinerant Texts, Camden Arts Centre, London*
Such is Life, Serpentine London; Palais des Beaux Arts, Brussels; Herzliya
Museum of Art
Life/Live, Musée d’Art Moderne de la Ville de Paris, Paris*
Escape Attempts, Globe, Copenhagen
How Will We Behave?, Robert Prime, London
Nach Weimar (curated by Nicolaus Schafhausen and Klaus Biesenbach), Landesmuseum,
Weimar
Some Drawings From London, Princelet Street, London
Dinner (organised by Giorgio Sadotti), Cubitt Gallery, London
Der Umbau Raum, Kunstlerhaus, Stuttgart
Everyday Holiday, Le Magasin, Grenoble*
Departure Lounge, The Clocktower, New York
March à l’ombre, Air de Paris, Paris
Kiss This (curated by Jeremy Deller), Focalpoint Gallery, Southend
Traffic (curated by Nicolas Bourriaud), CAPC, Bordeaux*
Co-operators, Southampton City Art Gallery, Southampton*
1995
Trailer (curated by Barbara Steiner), Mediapark, Köln
Brilliant (curated by Richard Flood), Walker Art Centre, Minneapolis*
New British Art, Museum Sztuki, Lodz*
Filmcuts, Neugerriemschneider, Berlin
Reserve-Lager-Storage, Oh!, Bruxelles
Ideal Standard Summertime, Lisson Gallery, London
Karaoke (curated by Georg Herold), South London Art Gallery*
Summer Fling, Basilico Fine Arts, New York
Collection fin XXéme, FRAC Poitou Charentes, Angouleme*
The Moral Maze, Le Consortium, Dijon
In Search of the Miraculous, Starkmann Library Services, London
Bad Times (curated by Jonathan Monk), CCA, Glasgow
Möbius Strip, Basilico Fine Arts, New York*
1994
The Institute of Cultural Anxiety (curated by Jeremy Millar), ICA, London*
Surface de Réparations 2, FRAC Borgougne, Dijon*
Lost Paradise (curated by Barbara Steiner), Kunstraum, Wien*
Das Archiv, Forum Stadtpark, Graz*
Miniatures, The Agency, London
Other Men’s Flowers (curated by Joshua Compston), Hoxton Square, London*
WM/Karaoke (curated by Georg Herold), Portikus, Frankfurt*
Mechanical Reproduction (curated by Jack Jaeger), Galerie van Gelder, Amsterdam*
Rue des Marins, Air de Paris, Nice
Grand Prix (curated by Axel Huber), Monaco*
Public Domain (curated by Jorge Ribalta), Centro’ Santa Monica, Barcelona*
Cocktail I, Kunstverein in Hamburg
Surface de Réparations (curated by Eric Troncy), FRAC Bourgogne, Dijon*
Backstage, Kunstmuseum Luzern*
Don’t Look Now, (curated by Joshua Decter), Thread Waxing Space, New
York*
1993
Unplugged, (curated by Nicolas Bourriaud), Köln
Dokumentation über, arbeiten von, Esther Schipper, Köln
Two out of four dimensions, Centre 181, London*
Backstage (curated by Stephan Schmidt-Wulffen & Barbara Steiner), Kunstverein
in Hamburg*
Manifesto, (curated by Benjamin Weil), Hohenthal und Bergen, München*
Points de Vue, Galerie Pierre Nouvion, Monaco*
Futura Book, Air de Paris, Nice
The London Photo Race, Friesenwall 120, Köln
Group Show, Esther Schipper, Köln
Wonderful Life, Lisson Gallery, London
Los Angeles International, Esther Schipper at Christopher Grimes, Los Angeles
Travelogue, (curated by Jackie McAllister), Hochschule fur Angewandte Kunst,
Wien*
Claire Barclay, Henry Bond, Roderick Buchanan, Liam Gillick, Ross Sinclair,
Gesellschaft für
Aktuelle Kunst, (curated by Tom Eccles) Bremen*
Territorio Italiano, (curated by Giacinto di Pietrantonio), Milano*
1992
ON, Interim Art, London*
Group Show, Esther Schipper, Köln
12 British Artists, Barbara Gladstone/SteinGladstone, New York*
Etats Spécifique, Musée d’art moderne, Le Havre*
Manifesto, (curated by Benjamin Weil), Daniel Büchholz, Köln; Castello
di Rivara, Turin; Wacoal Arts Centre, Tokyo; Urbi et Orbi, Paris*
Lying on top of a building the clouds look no nearer than they had when I was
lying in the street,
Monika Sprüth, Köln; Esther Schipper, Köln; Le Case d’Arte,
Milano
Molteplici Culture, (selected by Giorgio Verzotti), Folklore Museum, Roma*
Tatoo, Air de Paris/Urbi et Orbi, Paris; Daniel Büchholz, Köln; Andrea
Rosen, New York
1991
The Multiple Projects Room, Air de Paris, Nice
Air de Paris à Paris, Air de Paris, Paris
No Man’s Time, CNAC, Villa Arson, Nice*
1990
The Multiple Projects Room, Air de Paris, Nice
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