JOHN
MILLER
29. AUGUST– 15. NOVEMBER 2009
John Miller
Geboren 1954 in Cleveland, Ohio.
Lebt und arbeitet in New York City Berlin
Born 1954, Cleveland, Ohio. Lives and works in New York City and Berlin
Ausbildung / Education
1977 Rhode Island School of Design, Providence (BFA)
1978 Whitney Museum of American Art, Independent Study Program, New York
1979 California Institute of the Arts, Valencia, California (MFA)
Einzelausstellungen
(Auswahl) / selected Solo Exhibitions
2008
11 Sessions (with Karin Schneider and Matt Keegan), Orchard 47, New York
Meyer Riegger Galerie, Karlsruhe
Is That All There Is?, Sutton Lane, London
Camouflage on a Mannequin (with Richard Hoeck), Michael Hall Contemporary
Art,
Vienna
2007
Back to the Garden, Galerie Praz-Delavallade, Paris
The New Honeymooners, Metro Pictures & Friedrich Petzel Gallery,
New York
The Middle of the Day (online), Jeffrey Charles/Henry Peacock
Michael Hall Contemporary Art, Vienna
2006
Something for Everyone (with Richard Hoeck), Jeffrey Charles/ Henry Peacock,
London
Total Transparency, Metro Pictures, New York
2005
Something for Everyone (with Richard Hoeck), Engholm Engelhorn Galerie,
Vienna;
Galerie Hans Widauer, Innsbruck; cable tv broadcast (CAC TV), Contemporary
Art Center, Vilnius
Plakat (poster project with Richard Hoeck), Kunstraum Innsbruck
The Middle of the Day, Galerie Barbara Weiss, Berlin
Galerie Praz-Delavallade, Paris
2004
Total Transparency, Richard Telles Fine Arts, Los Angeles
Everything Is Painted Brown, Metro Pictures, New York
493 KB From the Administered World, Jeffrey Charles Gallery, London
2003
A Mutually Beneficial Encounter, Galerie Christian Nagel, Cologne
Everything Is You, Galerie Praz-Delavallade, Paris
Ich (36/175/74), Galerie Meyer Riegger, Karlsruhe
2001
Deliveries in Rear, Tiroler Sparkasse, Innsbruck
Double Date, Galerie Barbara Weiss, Berlin
2000
Consolation Prize (with Mike Kelley), the Morris and Helen Belkin Gallery,
University of British Columbia, Vancouver
Pilot, Richard Telles Fine Arts, Los Angeles
The Middle of the Day, Art + Public, Geneva
1999
Parallel Economies, Le Magasin, Centre National d’Art Contemporain
de Grenoble;
Kunstverein in Hamburg
Pillars of Salt, Galerie Barbara Weiss, Berlin
Hard Hat (with Richard Hoeck), Kunst-Werke Berlin
No Place to Hang Your Hat (with Richard Hoeck), Kunstraum Hans Widauer,
Innsbruck; Turin
Bienniale, Turin
The Lugubrious Game, Galerie Meyer Riegger, Karlsruhe
Opposite Day, Metro Pictures, New York
1998
For the Good Times, Richard Telles Fine Arts, Los Angeles
Low Noon (with Richard Hoeck), Galerie & Edition Artelier, Graz
Kunst ohne Unikat, steirischer herbst, Neue Galerie Graz; Foundation
Calouste Gulbenkian, Lisbon
White Studies (with Richard Hoeck), Kunsthalle Wien, Vienna, Austria;
Vorarlberger Kunstverein, Bregenz
Alive with Pleasure (digital projections), Candy Factory, Yokohama
John Miller: Painting and Sculpture, P.S. 1, Long Island City
1997
A Trail of Ambiguous Picture Postcards, Center for Contemporary Art,
Kitakyushu Project Gallery, Tokyo
1996
Richard Telles Fine Arts, Los Angeles
The Middle of the Day, Kunstbüro, Museum für Literatur am Oberrhein,
Karlsruhe
Field Manual for a Tautology, Galerie Thomas Riegger, Karlsruhe
Homage an Karl May, Galerie Barbara Weiss, Berlin
1995
The Middle of the Day, Metro Pictures, New York
The Middle of the Day, Galerie Barbara Weiss, Berlin
1994
Richard Telles Fine Arts, Los Angeles
1993
The Long March, the Narrow Road, Metro Pictures, New York
Art & Public, Geneva
Galerie Rizzo, Paris (with Michael Jenkins)
Museum Robert Walser, Hotel Krone, Gais
1992
Rock Sucks/Disko Sucks, daadgalerie, Berlin; Bruno Brunnet Fine Arts,
Berlin
Laboratorium Gallery, Center for Contemporary Art, Ujazdowski Castle,
Warsaw
Jablonka Galerie, Cologne
1991
Roy Boyd Gallery, Santa Monica
Andrea Rosen Gallery, New York
1990
Galerie Isabella Kacprzak, Cologne
Standard Graphik, Cologne
...But the Flesh is Weak, Metro Pictures, New York
1988
Metro Pictures, New York
Galerie Sophia Ungers, Cologne (with Jennifer Bolande)
1987
American Fine Arts Co., New York
1986
Metro Pictures, New York
1985
Rosamund Felsen, Los Angeles
Metro Pictures, New York
1984
Rosamund Felsen, Los Angeles
Metro Pictures, New York
1983
Recent Work, The Kitchen, New York
1982
White Columns, New York
Gruppenausstellungen (Auswahl) / selected Group
Exhibitions
2008
Go West, Kunsthalle Krems, Krems
The Skat Players, Vilma Gold Gallery, London
Bad Planet, Gary Tatintsian Gallery, Moscow
Sculpture Trail, Grieder Contemporary, Küsnacht
Sonic Youth Etc.: Sensational Fix, LiFE, Lieu international des Formes
Emergentes
International
Space for Emerging Arts, Saint-Nazaire; Museion, Museum of Modern and Contemporary
Art,
Bolzano
Tales of the Grotesque, Karma International, Zurich
Aurum, Centre PasquArt, Biel
Regroup Show, Miguel Abreu Gallery, New York
Shot Spot, Geoffrey Young Gallery, Great Barrington
Power Structure, Andrew Roth Gallery, New York
Too Hot Not to Be Naked, Galerie Sassa Trülzsch, Berlin
2007
The Dating Show, 3rd Ward Gallery, Brooklyn
The Happiness of Objects, The Sculpture Center, Long Island City
Between the Two Deaths, ZKM, Zentrum für Kunst und Medientechnologie, Karlsruhe
Forrest Dump, Shark (ex-fuel), Geneva
Kitakyushu Biennial, Moji
Body PoliticX, Witte de With, Rotterdam
Neointegrity!, Derek Eller Gallery, New York
Every Revolution is A Roll of the Dice, Ballroom Marfa, Marfa
Q&A, video screening, Elizabeth Dee Gallery, New York
Wolfgang von Kempelen. Mensch-[in der]-Maschine, ZKM, Zentrum für Kunst
und Medientechnologie, Karlsruhe
Abbondanza, Salvatore Ferragamo Gallery, New York
Black Noise: Every Day is Saturday, Cumberto Space, Tblisi; MAMCO, Geneva;
CNEAI (Centre
National de L'Estampe et de l'Imprimé), Chatou
Radio Danièle, GAM/Bologna, Italy; Kunsthalle Zürich
In Pursuit: Art on Dating, Ise Cultural Foundation, New York
Paul Thek: Werkschau im Kontext Zeitgenössischer Kunst, ZKM, Zentrum für
Kunst
und Medientechnologie, Karlsruhe;
Sammlung Falckenberg, Hamburg
2006
Dark Places, Santa Monica Museum of Art, Santa Monica
Vincule a. Politicas de la Afectividad, Estiticas del Biopoder, Medialab Madrid
Real vs. Unreal, Ganga International Galerie, Bogota
Periferic 7 - Focussing Iasi, Iasi
Hyperlinks for Global Dead Links, Hiroshima City Museum of Contemporary Art,
Hiroshima
Tomorrowland: CalArts in Moving Pictures, Museum of Modern Art, New York
Into Me, Out of Me, P.S. 1 Institute for Contemporary Art, New York; Kunst-Werke
Berlin
Gold Standard, P.S. 1 Institute for Contemporary Art, New York
Something for Everyone, Babylon Kino, Berlin
The Bong Show: or This Is Not a Pipe., Leslie Tonkonow Artworks + Projects, New
York
2005
Das neue Europa. Kultur des Vermischens und Politik der Repräsentation,
Generali Foundation, Vienna
L'oeuvre en programme, Galerie Ilka Bree, Bordeaux
AUTOmobilise, Musee d'art contemporain de Bordeaux, Bordeaux
Screening – Something for Everyone, Metro Pictures, New York
Kunst in Schokolade, Museum Ludwig, Cologne
Living and Working in Vienna, Kunsthalle Wien, Vienna; Austrian Cultural Forum,
New York
Roy Arden, Michael Krebber, John Miller, Richard Telles Fine Art, Los Angeles;
Orchard Gallery New York,
Metro Pictures, New York
Private View, 1980-2000: Collection Pierre Huber, Musee cantonal des Beaux-Arts
des Lausanne,
Laussanne
When Humour Becomes Painful, Migros Museum für Gegenwartskunst, Zurich
After All That Can Be Said, Galerie Kienzle & Gmeiner, Berlin
Experience de la duree, Biennale d'Art Contemporain de Lyon
Alle-gory, Mandarin, Los Angeles
Talk to the Land, Andrew Kreps Gallery, New York
Superstars, Kunsthalle Wien, Vienna
Synthesis and Distribution: Experiments in Collaboration, Pace University Galleries,
New York
Minimalist Kitsch & Visionäre Sammlung, Vol. 1, Haus Konstruktiv, Zurich
2004
Global Consulting, New York, New York
The Middle of the Day, MAMCO, Geneva
Body Display: Performative Installation, Secession, Vienna
Before the End, Le Consortium, Dijon
Mike Kelley: the Uncanny, Tate Liverpool, Liverpool
The Big Nothing, Institute of Contemporary Art, Philadelphia
Scream, IASPIS, Stockholm
Made in Berlin, Art Forum, Berlin
Writing, Images, Ideas: Walter Benjamin and the Art of Present Day, Haus am Waldsee,
Berlin
Something for Everyone, Kunstraum Innsbruck
Channel 0, CATV Project, Akiyoshidai International Art Village, Yamaguchi
Untitled painting show, Richard Telles Fine Art, Los Angeles
Last One on is a Soft Jimmy, Paula Cooper Gallery, New York
2003
there is no land but the land, Galerie Meyer Riegger, Karlsruhe
Faking Real, Leroy Nieman Gallery, Columbia University, New York
Drawings, Metro Pictures, New York
Perfect Models, Galerie Remont, Belgrade
Artists' Gifts, Museum of Contemporary Art, Los Angeles
Candy Factory Projects: Boogie-Woogie Wonderland, Akiyoshidai International Art
Village, Yamaguchi
They like them so long as they're on a stage (performance with Richard Hoeck),
Transmitter Musikfestival, Hohenems, Vorarlberg
Sandwiched, Public Art Fund and the Wrong Gallery, Brooklyn
3-2-1, Gallery M, New York
Jessica Stockholder: Table Top Sculpture, Gorney Bravin + Lee, New York
Art Focus 4, Jerusalem Museum
2002
From the Observatory, Paula Cooper Gallery, New York
The Empire Strikes Back, the ATM Gallery, New York
Sammlung Schürmann, K21, Düsseldorf
Flash Two: JRP Editions, Galerie Martin Janda, Vienna; Chouakri Brahms, Berlin;
Galerie
Edward Mitterrand, Geneva
In portraiture irrelevance is ugliness, Galerie Reinhard Hauff, Stuttgart; Museum
Schloss
Hardenberg, Velbert
A Country Lane, Galerie Kerstin Engholm, Vienna
40 Jahre: Fluxus und die Folgen, Kunstsommer Wiesbaden, Kulturamt der Landeshaupstadt
Wiesbaden
2001
Homes for the Soul: Micro-architecture in Medieval and Contemporary Art, the
Henry Moore Foundation, Leeds
Tele(visions): Kunst Sieht Fern, Kunsthalle Wien, Vienna
Superman in Bed, Das Museum am Ostwall, Dortmund
Trade, Fotomuseum Winterthur; Nederlands Foto Institut, Rotterdam
Ziviler Ungehorsam: Sammlung Falckenberg, Kestner Gesellschaft, Hannover
Drawings, Galerie Biedermann, Munich
John Miller, Fred Wilson, Pae White, Metro Pictures, New York
2000
Wider Bild Gegen Wart - Positions to a political discourse, Raum acktueller Kunst
Martin Janda,
Vienna; Nieuw Internationaal Cultureel Centrum (NICC), Antwerp
Extraordinary Realities, Columbus Museum of Art, Columbus
All You Can Eat, Galerie fur Zeitgenössische Kunst, Leipzig
Essensbilder/Bilder zum Essen, Manzini Mitte, Berlin
American Art Today: Fantasies & Curiosities, The Art Museum at Florida International
University, Miami
Kunstraum Hans Widauer, Innsbruck
1999
Pl@ytimes, Magasin - L'Ecole, Centre National d'Art Contemporain de Grenoble
Wir leben zwischen Wänden, Kunstamt Kreuzberg, Berlin
Metro Pictures, New York
Bad Bad: That's a Good Excuse, Staatliche Kunsthalle Baden-Baden
Transmute, Museum of Contemporary Art, Chicago
Galerie Asbok, Copenhagen
Le Capital (Inscriptions, Tableaux, Diagrammes & Bureaux d'Etudes), Contemporary
Art Center, Sete
Stadtluft: der Urbane Raum als Medium von Macht, Kunstverein in Hamburg
Get Together: Art as Teamwork, Kunsthalle Wien, Vienna
Malerie, INIT Kunst-Halle Berlin
1998
100 Years Secession, Secession Museum, Vienna; Helsinki City Museum, Helsinki
Tell Me a Story: Narration in Contemporary Painting and Photography, Magasin,
Centre National d'Art Contemporain, Grenoble
Raum Aktueller Kunst Martin Janda, Vienna
Figurative Sculpture, Patrick Painter Gallery, Los Angeles
Fast Forward: Trademarks, Kunstverein in Hamburg
Painting, Now and Forever, Pat Hearn Gallery, New York
Entropie zu Hause, Suermont Ludwig Museum, Aachen
Songs from a Room, Galerie Meyer Riegger, Karlsruhe
1997
Someone else with my fingerprints, David Zwirner Gallery, New York; Galerie Hauser &
Wirth, Zurich; August Sander Archiv/SK Stiftung Kultur, Cologne; Kunstverein
München; Kunsthaus Hamburg
Now on View, Metro Pictures, New York
Laying Low, Kunsternes Hus, Oslo
Eight from Ohio: In and Out of Bounds, Lancaster Festival; The Hammond Galleries,
Lancaster, Ohio
79/97, Visual Arts Gallery, School of Visual Arts, New York
Display, Charlottenborg Exhibition Hall, Copenhagen
At the Threshold of the Visible, Independent Curators Association, Johnson Museum
of Art, Cornell University, New Jersey; Meyerhoff Galleries, Maryland; Institute
of Art, Baltimore, Maryland; Art Gallery of Ontario, Toronto; Art Gallery of
Windsor, Windsor; Santa Monica Museum of Art, Santa Monica; Edmonton Art Gallery
Jeopardy, Forde Gallerie, Geneva
Revisionen des Abstrakten Expressionismus: Malerei zwischen Erhabenheit und Vulgarität,
Kunstverein Gütersloh, Germany; Kunstraum Lüneburg
1996
Screen, Friedrich Petzel Gallery, New York
DO IT (Home Version), Museum in Progress, Vienna
Sandra Gehring Gallery, New York
Comic Depictions of Sex in American Art, Galerie Andreas Binder, Munich
Faustrecht der Freiheit, Kunstsammlung Gera; Neues Museum Weserburg, Bremen
Radikale Bilder, 2. Oesterreichische Triennale zur Fotografie 1996, Neue Galerie
am Landesmuseum
Joanneum, Graz; Grosser Saal der Kunsthalle Szombathely
Intervention: Tendenzen im Schatten der Stadtplanung, Stiftung Starke, Berlin
Artistes & Photographies: Bruce Nauman, Ed Ruscha, John Miller, Xavier Veilhan,
Hors scène #2, Cabinet des Estampes, Geneva
a/drift: Scenes from the Penetrable Culture, Center for Curatorial Studies, Bard
College, New York
L'art du Plastique, Ecole Nationale Superieure des Beaux-Arts (ENSB-A), Paris
Art at the End of the 20th Century: Selections from the Whitney Museum of American
Art,
Alexander Soutzos Museum; Museu d'Art Contemporani, Barcelona; Kunstmuseum Bonn
The 17th Annual LACE Benefit Auction, Jan Baum Gallery, Los Angeles
1995
Altered States: American Art in the 90s, Forum for Contemporary Art, St. Louis,
Missouri
Pittura/Immedia: Malerie in den 90er Jahren, Neue Galerie, Graz; MUCSCARNOC,
Palace of Art,
Budapest
(Landschaft) mit dem Blick der 90er Jahre, Mittelrhein Museum, Koblenz; Museum
Schloss Burgk, Saale; Haus am Waldsee, Berlin
The Mutated Painting, Galerie Martina Detterer, Frankfurt
Bettenausstellung, HotelPension Nürnberger Eck, Berlin
Pieces Meubles, Galerie Jousse Seguin, Paris
Smells Like Vinyl, Roger Merians Gallery, New York
L'object, Villa du Parc, Anemasse
Club Berlin, XLVI Biennale di Venezia, Venice
1994
The Use of Pleasure, Terrain Gallery, San Francisco
Sammlung Volkmann, Berlin
Don't Look Now, Thread Waxing Space, New York
Suture: Phantasmen der Volkommenheit, Salzburger Kunstverein, Salzburg
Economies Paralleles, Residence Secondaire, Paris
Up the Establishment, Sonnabend Gallery, New York
Cloaca Maxima, Museum der Stadtenwasserung, Zurich
Wind from the East, Künstlerhaus Bethanien, Berlin
Mapping, Museum of Modern Art, New York
John Miller, Christina Frey, Photographien aus der Sammlung Allan Porter, Kunsthalle
im
Kulturhaus Palazzo, Baselland, Liestal
Notational Photographs, Metro Pictures and Petzel Borgmann Gallery, New York
Das Jahrhundert des Multiple, Deichtorhallen, Hamburg
Critical Mass, Yale University, New Haven; Dallas Artists Research and Exhibitions,
Dallas
Frontiere, Galerie Bob von Oursow, Zurich
Metro Pictures, New York
temporary translation(s), Deichtorhallen, Hamburg
1993
Metro Pictures, New York
Autoportraits Contemporains: Here's Looking at Me, Espace Lyonnais d'Art
Contemporain (ELAC), Lyon
The Naming of the Colors, White Columns, New York
Le Bon, la Brute et Le Truand..., Jousse Seguin, Paris
The Abject: Repulsion and Desire in American Art, Whitney Museum of American
Art, New York
Nachtschattengewächse, Museum Fridericianum, Kassel
The Uncanny, Sonsbeek ’93, Geementemuseum Arnhem
Money, Nancy Drysdale Gallery, Washington D.C.
Romantik in der Kunst der Gegenwart: Sammlung Murken, Ludwig Forum fur Internationale
Kunst, Aachen; Kulturzentrum Bayer AG, Leverkusen, Kunsthalle Dominikanerkirche,
Osnabruck; Kunstamt Kreuzburg, Berlin; Stadtische Galerie Jesuitenkirche, Aschaffenburg;
Landesmuseum, Mainz; Zeppelin Museum Technik & Kunst, Friedrichshafen; Kunstmuseum
Thun
Panorama, Galerie Martina Detterer, Frankfurt am Main; Jousse Seguin, Paris
Sendezeit: a Space Without Art, TVTurm, Literaturforum im Brecht Haus, Berlin
The Rag Trade: Right Off the Rack, Interart Center, New York
Made in the U.S.A.: a selection from the Caldic Collection, Caldic Chemie B.V.,
Rotterdam
Minimal Curating, Stadtisches Kaufhaus, Leipzig
Four Walls Benefit Exhibition and Sale, David Zwirner Gallery, New York
A Painting for Every Ticket and a Chicken in Every Pot, benefit for Bomb Magazine,
Fawbush Gallery, New York
1992
Dirty Data, Sammlung Schürmann, Ludwig Forum für Internationale Kunst,
Aachen
Sommeraustellung, Schloss Plon, Plon, Germany
Walter Benjamin: Grenzfall und Erwartung, (installation in collaboration with
the Institut fur Heuristik), Galerie Mulackstrasse 22, Berlin; Oberrheinisches
Dichtermuseum, Karlsruhe
Live in Your Head, Heligen Kreuserhof, School of Applied Arts, Vienna
1968, le Consortium, Dijon
Art Meets Ads, Städtische Kunsthalle, Dusseldorf
Getting to kNOw you, Künstlerhaus Bethanien, Berlin; Städtisches Kaufhaus,
Leipzig
Spielhoelle, Stadelschule, Frankfurt; Grazer Kunstverein, Graz; Galerie Sylvana
Lorenz, Paris
1991
Lost Illusions, Vancouver Art Gallery
Home for June, Home Center for Theater and Art, New York
Proiezoini, Castello di Rivara, Torino
The Lick of the Eye, Shoshanna Wayne Gallery, Los Angeles
Hybrid Abstract, Ufdam Gallery, Bennington College, Vermont
Anni Novanta, Galleria Communale d’Arte Moderna, Bologna; Musei Communali,
Rimini, ex colonia "Le Navi," Cattolica
Biennial Exhibition, Whitney Museum of American Art, New York
Currents, Institute of Contemporary Art, Boston
Galerie Isabella Kacprzak, Cologne
Bruno Brunnet Fine Arts, Berlin
Massverhältnisse/Standards, Galerie Sophia Ungers
The Other Side, Tony Shafrazi Gallery, New York
1990
In the Beginning, Cleveland Center for Contemporary Art, Cleveland
Just Pathetic, Rosamund Felsen Gallery
Viewpoints Towards the 90’s: Three Artists from Metro Pictures, Part II,
Seibu Galleries, Tokyo
Labor as Cultural Artifact, Gust Vasiliades Gallery, New York
Re:Framing Cartoons, Loughelton Gallery, New York; traveled in 1992 to the
Wexner Center for the Arts, Columbus
Art Supplies and Utopia, Galerie Ralph Wernicke, Stuttgart
The Koln Show, Galerie Sophia Ungers and Tanja Grunert, Cologne
Luhring, Augustine and Hetzler, Los Angeles
Sex and Language, Garnet Press, Toronto
1989
Information, Terrain, San Francisco
Amerikarma, Hallwalls
Disappearances, Nahan Contemporary Arts, New York
Bruges La Morte, Bruges
John Miller, Gary Mirabelle, Lawrence Wiener, American Fine Arts
A Good Read, Barbara Toll Gallery
Erotophobia: a Forum in Sexuality, Simon Watson Gallery, New York
In the Center of Doubt, Massimo Audiello Gallery, New York
Avant 1989, Frac RhoneAlpes, Villa Gillet, Lyon
A Climate of Site, Gallerie Barbara Farber, Amsterdam
1988
Tableaux: Vivant/Morte, Installation, San Diego
Poetic Justice, WardNasse Gallery, New York
A “Drawing” Show, Cable Gallery, New York
synSERVICE, Robin Lockett Gallery, Chicago
A Distanced Romance (Absence Makes the Heart Grow Fonder), Jeffrey Neale Gallery,
New York
1987
The Double Bind, Loughelton Gallery, New York
CalArts: Skeptical Belief(s), The Renaissance Society, Chicago; Newport Harbor
Art Museum,
Newport Beach, California
Art Against AIDs, Metro Pictures, New York
1986
Appropriated Abstraction, Grey Art Gallery, New York University, New York
A New Abstraction, New City, Venice, California
The Gallery Show, Exit Art, New York
Signs of Painting, Metro Pictures, New York; Donald Young Gallery, Chicago
1985
New York Now: Correspondences, La Foret Museum, Tokyo; the Prefectural Museum
of Fine Arts, Tochigi, Tazaki Hall; Espace Media, Kobe
Auto/Genetic/Photopsia, Christminster, New York
Americana, (Group Material installation), Whitney Biennial, Whitney Museum
of American Art, New York
Smart Art, Carpenter Center for the Visual Arts, Harvard University, Boston
1984
Drawings!, Barbara Toll Fine Arts, New York
Urban Confrontations, Ben Shahn Gallery, Patterson College, Wayne, New Jersey
Offset: a Survey of Artists’ Books, Hera Cooperative Gallery, Wakefield,
Rhode Island
Landscape Revisited: 12 New York Artists, West Beach Cafe, Venice, California
1983
Artists’ Books/Booked Art, Ystad Konstmuseum; Kristianstad Konstmuseum
and Norrkopings Konstmuseum, Sweden
A & M Artworks, New York
Art on Paper, Weatherspoon Art Gallery, University of North Carolina at Greensboro
1982
Real Life Magazine Presents, White Columns, New York
Audio art show, ZONA, New York and Florence
Audio art broadcast, Sound Recycling Terminal, 100 Flowers Radio, Florence
London/New York, Lisson Gallery, London
Selections, Artists’ Space
Drawing Show, Los Angeles Contemporary Exhibitions (LACE), Los Angeles
1981
Artists' Book Show, Metronom, Barcelona
Artists' Book Show, Zone, Springfield
Beware of the Dog!, (organized by the artist), Mudd Club Gallery, Mudd Club,
New York
Mudd Video 4, Mudd Club
Anthology Film Archives, New York
Noise Fest, White Columns, New York
The Great Midwestern Book Show, Minneapolis
1979
10 Artists’ Videotapes, LAICA
Manifesto Show, 5 Bleecker Street, New York
1978
Short Videotapes, Anthology Film Archives, New York
Artwords and Bookworks, Los Angeles Institute for Contemporary Art
T.V. Mail Art Show, Anyart Gallery, Warren, Rhode Island
Mail Etc., Art: greetings from boulder, University of Colorado, Boulder
1977
Fylkingen Video Arts Festival, Stockholm
Athens International Film Festival, Athens, Ohio
Greater Hartford Civic and Arts Festival, Hartford
Filmwomen of Boston, Boston
Video Show, Massachusetts College of Art, Boston
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